Articles
‘Promoting Mental Health and Health of Asian Immigrants through a Cultural Movement Intervention’, Huang, C. Y., Zane, N., Hunter, L., Vang, L., Apeosa-Varano, E. C., & Joseph, J. (Journal of Counseling Psychology spring 2022).
‘Attending to the Glitch: Rabih Mroué in interview with Lynette Hunter’, Alex Lichtenfels et al eds, Co-Presence with a Camera, Performance Matters 6:1 (June, 2020) 211-32.
‘Editors Preface’, Lynette Hunter, Alex Lichtenfels, Heather Nolan, John Zibell eds, Co-Presence with a Camera, Performance Matters 6:1 (June, 2020) 1-3.
‘Not-Saying What you Mean: Laurent Pernot, L’Art du Sous-Entendu, Paris: Fayard, 2018’ in Advances in the History of Rhetoric 2019.
‘Performing Literatures: Handling the text’, with Ilya Noé, Performance Research Journal: Centennial Issue. 100 (December 2018) 50/50.
‘Affective Politics in Álvaro Hernández’ Chairs….’, trans. Alvaro Hernandez. Corpo-Graphias 6 (October, 2018) 16-36.
‘Promoting Mental Health and Health of Asian Immigrants through a Cultural Movement Intervention’, Huang, C. Y., Zane, N., Hunter, L., Vang, L., Apeosa-Varano, E. C., & Joseph, J. Forthcoming.
‘Naming and Calling: Missing words’, On Names, Performance Research, 22:6 (2017), 121-3.
‘Friendship, Temperance and the Probable’ Rhetorica, 35:2 (2017) 189-227.
‘Listening to Writing: Performativity in Strategies Developed by Learning from Indigenous Yukon Discourse’ Journal of Canadian Studies 50:1 (Winter 2016) 36-69
‘Ethics, performativity, and gender: porous and expansive concepts of selving in the performance work of Gretchen Jude and of Nicole Peisl’, Palgrave Communications 2: Theatre and Performance Studies with Sociology (Palgrave Macmillan, 2016)
‘Being in-between: Performance studies and processes for sustaining interdisciplinarity’, Cogent Arts & Humanities (Taylor and Francis, 2015), 2: 1124481. pp.1-15.
‘Turbulent Rhetorics in Keith Hennessy’s Turbulence: A Dance About the Economy’, Performance Research 19:5 (2014) 47-53.
‘Winning, Losing, and Wandering Play: Zhuangzian Paradox and Daoist Practice’, with Richard Schubert, Journalism, Media and Cultural Studies 5 (Summer 2014) pages: 23.
‘The Art of Play: Lishi, Contemporary Dance, and Cricket’, Moving Worlds 12.1, (2012), pp. 91-102.
‘Performatics’, in On Performatics: Performance Research, (2008), p.7.
‘Describing Performance’, in bp Nichol, ed. L. Emerson, Open Letter 13.5, (2008), pp. 115-32.
‘Practice as Research Elements in the PhD’, Selected Essays in the Proceedings of the 2006 International Symposium of Drama School Directors, ed W. Sun (Shanghai 2007), pp. 93-100 in English, pp. 101-107 in Chinese.
‘Editors’ Forum’, with Janelle Reinelt et al., Theatre Survey, 47:2 (November, 2006), pp. 169-173.
‘The Rhetoric and Reality of Codes’, The New Academy Review, 1:1 (Spring 2002), pp. 29-36.
‘The Dating of Q4 Romeo and Juliet Revisited’, The Library, 7th Ser, 2:3 (Sept 2001), pp. 281-5.
‘Labour Notes’, with Susan Rudy, Open Letter, 10:8 (Spring 2000), pp. 94-104.
‘Science: An epitome of democratic politics’,Technostyle, 16:1 (Winter 2000), pp. 188-195.
‘Considering Issues of Rhetoric and Violence’, parallax, 14 (April-June 2000), pp. 2-8.
‘The Socialisation of Context : Methodologies for Hypertext’, History and Computing 10:1-3 (1999), pp. 124-131.
‘Introduction to Critiques of Knowing’, parallax, 5:2 (1999), pp. 121-127.
‘Tea Drinking in England: Ceremony, Scandal and Domestic Bliss’, New Comparison, 24, (Autumn 1997), pp. 108-157. Nominated for the Sophie Coe prize 1999.
‘Kathy Eden, Hermeneutics and the Rhetorical Tradition: Chapters in the Ancient Legacy and Its Humanist Reception’, Rhetoric Society Quarterly, 29:4 (Fall 1999), pp. 105-6.
‘Exploring the Cybertext: Literary Criticism and the Reader’, Convergence: The Journal of Research into New Media Technologies, 4:3 (Autumn 1998), pp. 100-102.
Naomi Zack, Bachelors of Science: Seventeenth Century Identity, Philadelphia, 1996; and Linda Lopez McAlister, ed., Hypatia’s Daughters: Fifteen Hundred Years of Women Philosophers, Bloomington, 1996, in Gender and History, 10:2 (August 1998), pp. 322-4.
‘Ideology as the Ethos of the Nation State’, Rhetorica XIV:2 (Spring, 1996), pp. 197-229.
‘The Study of Modern Manuscripts’, review, Modern Languages Review, 90:1 (1995), pp. 169-70.
‘Recognitions: Chaos, Consolation and Choice’, Rhetorica, IX:1, (Winter 1991), pp. 93-100.
‘Textual Criticism Since Greg’, Modern Languages Review, 85:4 (1990), pp. 895-6.
‘On Native Ground’, British Journal of Canadian Studies, 5:1 (1990), pp. 141-43.
‘Creating Hypertexts with Guide’, Computing in Teaching Initiative Support Service Bulletin, (Dec 1989).
‘Becoming Women’, Canadian Literature, No. 122-3, (Autumn-Winter, 1989), pp. 198-199.
‘Canadian Women’s Writing’, British Journal of Canadian Studies, 2-3 (1988), pp. 313-17.
‘Hypertext Laboratory Information System’, L. Hunter, R. Jones, K. Page, C. Rodgers and P. Moran, St James University Hospital Leeds, (1987).
‘The Autobiography of William Hart, Cooper, 1776-1857’, The London Journal, Part One, (Winter 1981), pp. 144-160; Part Two, (Summer, 1982), pp. 62-75).
‘Some Versions of Narrative’, Bulletin of Canadian Studies, (April 1981), pp. 68-78.
‘Barrie’s Islands of Fantasy’, Modern Drama, (March 1980), pp. 65-74.
‘J. M. Barrie: The Rejection of Fantasy’, Scottish Literary Studies, (May 1978), pp. 39-52.
‘A Reading of The Napoleon of Notting Hill’, The Chesterton Review, (Winter/Spring 1976-7), pp. 118-128.
Book Review
Review of: Martin Meisel, Chaos Imagined, Duke University Press, for Theatre Journal, Johns Hopkins University Press, 2016.