Essays

‘Approaching Practices of Acting Through Daoist Philosophy’, in eds Erika Fischer-Lichte,
Torsen Jost, Milos Kosic, Astrid Schenka. Performance Cultures as Epistemic
Cultures, Volume I: (Re)Generating Knowledges in Performance (London: Taylor and
Francis, 2023) 177-201. DOI: 10.4324/9781003372837-1

‘Ways of Knowing and Ways of being known’, Sentient Performativities of Embodiment: Thinking alongside the Human eds Lynette Hunter, Elizabeth Krimmer, Peter Lichtenfels, (Lexington University Presses, 2016) 1-18.

‘Installation and Constellation’, in ed B. Reynolds, Performance Studies: KeyWords, Concepts (London: Palgrave, 2015), 141-55.

‘Why has Q4 Romeo and Juliet such an intelligent editor?’ in Shakespeare Criticism, 109-115. Gale/Cengage, 2015. Reprint 2015

‘Un-Editing for Non-Fictional Bodies: Theatre Practice and the Editing of “New” Scripts’, with P. Lichtenfels, in eds S. Bennett, M. Polito, and J. Jenkins, New Directions in Medieval and Early Modern Performance Studies (London: Palgrave Macmillan, 2014), 171-97.

‘“Vert [vers] incalculable de la nuit”: Vers une éthique de la traduction de la poétique du vertigineux’, with Elizabeth Constable, in eds Roseanna Dufault and Janine Ricouart, L’importance de la poésie de Nicole Brossard dans le mouvement féministe international (Montréal: Les Editions du Rémue-menage, 2014), 177-200.

‘Engaging Politics: Keith Hennessy’s radical devised dance theatre’, in eds P. Lichtenfels, J. Rouse, Performance, Politics and Activism: Scales of Production (London: Palgrave Macmillan, 2013), 132-53.

‘Introduction’, in eds. Peter Lichtenfels and John Rouse, Performance, Politics and Activism, (Palgrave, 2013), pp. 1-13.

‘Constellation: Engaging with Radical Devised Dance Theatre: Keith Hennessy’s Sol Niger‘, in eds. Peter Lichtenfels and John Rouse, Performance, Politics and Activism, (Palgrave, 2013), pp. 132-153.

‘Bordering on Borders: Dream, Memory, and Allegories’ in Parallel Encounters: Culture at the Canada-US Border, (Wilfrid University Press, 2013), pp.311-334.

‘A Logic of Participles: Practice, Process, Knowing and Being or Textuality of Arrest – Thinking Done’, eds. A. Arlander, in Artistic Research in Action Proceedings of CARPA2 – Colloquium on Artistic Research in Performing Arts, Theatre Academy Helsinki, 2011, pp. 11-22.

‘Allegory Happens: Allegory in the Arts post-1960’, in eds. R. Copeland and P.T. Struck, The Cambridge Companion to Allegory (Cambridge University Press, 2010), pp.266-80.

‘Internationalism, Performance and Public Culture’, in eds. P. Koski and M. Sirha, The Local Meets the Global in Performance, (Cambridge: Cambridge Scholars Press, 2010), pp. 21-40.

‘Situated Knowledge’, in Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies, (New York: Palgrave, 2009), pp. 151-3.

‘Theory/Practice as Research: Explorations, Questions and Suggestions’, in Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies, (New York: Palgrave, 2009), pp. 230-6.

‘Valuing Performance/Practice as Academic Knowledge’, in Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies, (New York: Palgrave, 2009), pp. 119-205.

‘Art/ Practice as Research: Explorations, Questions and Suggestions’, UCIRA State of the Arts, Vol 1, 2007, pp. 54-66.

‘Mapping the Terrain’, in G. K. Chesterton, ed. H. Bloom, (Chelsea House Press, 2006), pp. 49-68.

‘Preparing, Sharing and Eating Food in Panniqtuuq, Nunavut’, in ed. L. Hunter Food and Community, (University of Leeds, 2006), pp. 145-168.

‘Women in Science in the Sixteenth and Seventeenth Centuries’ in ed. J. Zinsser Men, Women, and the Birthing of Modern Science, (Northern Illinois University Press, 2005), pp. 123-40.

‘Introduction’, in eds. L. Hunter and P. Lichtenfels, Shakespeare, Language and the Stage: The Fifth Wall, (Thomson Publishing, 2005), pp. 1-10, with P. Lichtenfels.

‘The Melody of Gesture’, in eds. L. Hunter and P. Lichtenfels, Shakespeare, Language and the Stage: The Fifth Wall, (Thomson Publishing, 2005), pp. 61-88, with A. Arden and M. Hendricks.

‘The Inédit in writing by Nicole Brossard: Breathing the skin of language’ in ed. L. Forsyth, Nicole Brossard: Essays on her works, (Montreal, Guernica, 2005), pp. 209-38.

‘Prescience and Resilience in George Orwell’s Political Aesthetics’ in eds. T. Cushman and J. Rodden, George Orwell: Into the Twenty-First Century, (Paradigm Publications, 2005), pp. 229-42.

‘Cankers in Romeo and Juliet:; Sixteenth Century Medicine at a Figural/Literal Cusp’, in eds. S. Moss and K. Peterson, Disease, Diagnosis, and Cure on the Early Modern Stage, (Ashgate, 2004), pp. 171-85.

‘Video Cicero: The Problem of Peace for Modern Political Rhetoric’, in eds. C. Reid and M. Edwards, Oratory in Action, (Manchester University Press, 2004), pp. 186-209.

‘FACE-WORK and Going to the End of the Line with Frank Davey’s writing’, in eds. C. Batt, E. Boehmer, and J. MacLeod, Axial Writings (Kunapipi, 2003), pp. 111-123.

‘Unruly Fugues’, in ed. P. Bowman, Interrogating Cultural Studies: Theory, Politics and Practice, (London: Routledge, 2003), pp. 233-252.

A History of the Book in Britain, (Cambridge University Press, 2002), pp. 514-32.

‘Reading in the Moment: Theatre Practice as a Guide to Textual Editing’, with Peter Lichtenfels, in eds. A. Thompson and G. McMullen, In Arden: Essays in Honour of Richard Proudfoot , (Thompson, 2002), pp. 138-56.

‘Seeing through the national and global stereotypes: British Theatre in Crisis?’, with Peter Lichtenfels, in eds. M. Delgado and C. Svich, Theatre in Crisis?: Performance manifestos for a new century, (Manchester University Press, 2002), pp. 31-53.

‘Why has Q4 Romeo and Juliet such an intelligent editor?’ in M. Bell et al., Reconstructing the Book: Literary Texts in Transmission, (Ashgate, 2001), pp. 9-21.

‘Persuasion’, in eds. L. Hunter, Ann Thompson et al., Reading Shakespeare’s Dramatic Language, (London: Thomson Educational, 2000), pp. 113-129. Part 1 and Part 2.

‘Household Management and Food Texts, 1800-1900’, Cambridge Bibliography of English Literature, Volume 4, third edition, ed. J. Shattock, (Cambridge: Cambridge University Press, 2000), col. 2735-2754.

‘Civic Rhetoric, 1560-1640’, Sir Thomas Gresham and Gresham College, ed. Francis Ames-Lewis (Aldershot: Ashgate, 1999).

‘Food and Cookery Books, 1475-1700’, Oxford Companion to Food, ed. A. Davidson, (Oxford University Press, 1999), pp. 3.

‘From Stage to Page: Character through Theatre Practices in Romeo and Juliet‘ with Peter Lichtenfels, in eds. S. Chew and A. Stead, Translating Life: Studies in Transpositional Aesthetics, (Liverpool University Press, 1999), pp. 53-74.

‘Feminist Thoughts on Rhetoric’, in eds. C.M. Sutherland and R. Sutcliffe, The Changing Tradition: Women in the History of Rhetoric, (Calgary: University of Calgary Press, 1999), pp. 237-248.

‘Introduction: Transversal Politics and Translating Practices’, with Cynthia Cockburn, in eds. C. Cockburn and L. Hunter, ;Transversal Politics, (London: Lawrence and Wishart, 1999), pp. 88-93.

‘The Values of Community Writing’, with Rebecca O’Rourke, in eds. C. Cockburn and L. Hunter, Transversal Politics, (London: Lawrence and Wishart, 1999), pp. 144-152.

‘Animal Farm: Satire into Allegory’, in ed. G. Holderness, B. Loughrey and N. Yousaf, George Orwell (London: Macmillan, 1998).

‘“That Will Never Do”: Public History and Private Memory in Nineteen Eighty-Four and The Handmaid’s Tale’, in ed. Marta Dvorak, The Handmaid’s Tale: Margaret Atwood (Paris: Ellipses, 1998), pp. 19-29.

‘Sisters of the Royal Society: The circle of Katherine Jones, Lady Ranelagh’, in eds. L. Hunter and S. Hutton, Women, Science and Medicine 1500-1700 (Stroud: Sutton Publishing, 1997), pp. 178-197.

‘Women and Domestic Medicine: Lady Experimenters, 1570-1620’, in eds. L. Hunter and S. Hutton, Women, Science and Medicine 1500-1700 (Stroud: Sutton Publishing, 1997), pp. 89-107.

‘Women, Science and Medicine: Introduction’, with S. Hutton, in eds. L. Hunter and S Hutton, Women, Science and Medicine 1500-1700 (Stroud: Sutton Publishing, 1997), pp. 1-6.

‘Standpoint Theory Approaches to Recent Canadian Autobiographical Text’, in ed. M. Dvorak, Autobiographies (Rennes: Presses Universitaires de Rennes, 1997), pp. 67-76.

‘George Orwell’s blood and marmalade: Nation state ideology in a print society’, in eds. S. Matthews and K. Williams, Re-Writing the Thirties: Modernism and After (Harlow: Addison, Wesley, Longman, 1997), pp. 202-216. Part 1 and Part 2.

‘Alternative Publishing in Canada’, in eds. L. Hunter, P. Easingwood, K. Gross, Difference and Community (Amsterdam: Rodopi, 1996), pp. 35-57.

‘Bodily Functions in Cartesian Space’, in ‘Borderblur’ (Edinburgh: Quadrega and Edinburgh University Press, 1996).

‘Social Contexts for Hypertext Methodology’, in Victorian Periodicals Hypertext Project (Oxford: CTI Centre for Textual Studies, 1995), pp. 30-48.

‘Proliferating Publications’, fore. T. Jaine, in ed. C. A. Wilson, Luncheon, Nuncheon and Other Meals (Stroud: Alan Sutton, 1994), pp. 51-70.

‘Introduction’, in eds. L. Hunter and C. A. Howells, Narrative Strategies in Canadian Literature (Milton Keynes: Open University Press, 1991), pp. 1-10.

‘Preface’, pp. viii-xviii, in ed. L. Hunter, Toward a definition for Topos (London: Macmillan, 1991).

‘Nineteenth- and Twentieth-Century Trends in Food Preserving: Frugality, Nutrition or Luxury’, in ed. C. A. Wilson, Waste Not, Want Not: Food Preservation (Edinburgh University Press, 1991), pp. 134-158.

‘Printing in the Pennines’, in ed. C. A. Wilson, Provincial Foodpaths (Edinburgh University Press, 1991), pp. 1-37.

‘War Poetry: Fears of Referentiality’, in ed. D. Barbour, Beyond TISH (NeWest and West Coast, 1991), pp. 144-160.

‘Writing, Literature and Ideology’, in eds. P. Easingwood, K. Gross and W. Kloos, Probing Canadian Culture, (AV-Verlag, 1991), pp. 52-64.

‘Illusion and Illustration in Cookery Books since 1940’, in ed. C. A. Wilson, The Appetite and the Eye (Edinburgh University Press, 1991), pp. 141-60.

‘Humanities Computing: Friend or Foe’, in ed. C. C. R. Turk, Humanities Research Using Computers (Chapman and Hall, 1991), pp. 69-93.

‘McLuhan’s From Cliche to Archetype: or There’s Nothing New Under the Sun’, in ed. L. Hunter, Toward a Definition for Topos (London: Macmillan, 1991), pp. 199-227. Part 1 Part 2

‘The Poetics of Margaret Laurence’, in ed. C. Nicholson, Critical Approaches to the Fiction of Margaret Laurence (London: Macmillan, 1990), pp. 133-151.

‘A Rhetoric of Mass Communication’, in ed. R. L. Enos, Orality and Written Communication, Written Communication Annual 5 (Sage Publications, 1990), pp. 216-265.

‘Literary Studies and Computing’, in ed. D. Miall, Teaching English Studies with Computers (Cheltenham: College of St Paul & St. Mary, 1989), pp. 33-49.

‘Painting the Lion: Feminist Options’, with L. Jeffries, L. Johnson, V. Jones, M. Reynolds, in eds. A. Thompson and H. Wilson, Teaching Women (Manchester University Press, 1989), pp. 75-87.

‘Application of the Micro-Computer Within the Verbal Arts’, in ed. A. Cluysenaar, Verbal Arts Association Information Pack (Calouste Gulbenkian Foundation, 1987).

‘George Orwell’s Search for a Voice’, in ed. and intro. H. Bloom, British Modernist Fiction 1920 to 1945 (London: Chelsea House, 1986), pp. 321-335.

‘Sweet Secrets: The Growth of a Genre’, in ed. C. A. Wilson, Banquetting Stuffe (Edinburgh University Press, 1986), pp. 36-59.

‘Stories and Voices in Orwell’s Early Narratives’, in ed. C. Norris, Inside the Myth (London: Lawrence & Wishart, 1984), pp. 163-182.