Published Books (Monograph)

Disunified Aesthetics: Situated Textuality, Performativity, Collaboration (Montréal: McGill Queen’s University Press, 2014), pp. 314.

Negotiating Shakespeare’s Language in ‘Romeo and Juliet’: Approaches to Reading from Criticism, Editing and the Stage (Ashgate Publishers, 2009), pp. 242. With Peter Lichtenfels.

Romeo and Juliet, William Shakespeare. A new scholarly edition. (Peter Lichtenfels, co-editor). (Ashgate Publishers, 2009), pp. 693, and

The Letters of Dorothy Moore 1640-1660: The Friendships, Marriage and Intellectual Life of a Seventeenth-Century Woman ed, with introductory essay, pp.1-42 (Ashgate, 2004), pp. 214.

Literary Value and Cultural Power (Manchester University Press, 2001), pp. 216.

Critiques of Knowing: Situated Textualities in Science, Computing and the Arts (London: Routledge, 1999), pp. 238.

Outsider Notes: Feminist Approaches to Canadian Publishing, Writers and Readers, 1960-1990 (Vancouver: Talonbooks, 1996), pp. 312.
Nominated for Governor General’s Award; several reprints of chapters in books of criticism.

Modern Allegory and Fantasy (London: Macmillan, 1989), pp. 215.

Rhetorical Stance, Allegories of Love and Death (London: MacMillan, 1984), pp. 39.

George Orwell, The Search for a Voice. (Milton Keynes: Open University Press, 1984), pp. 242.

G. K. Chesterton, Explorations in Allegory (London: MacMillan, 1979), pp. 190.

Co-authored Books

Creative Writing Strategies for English Studies (Leeds: University of Leeds, 1996), pp. 112. With Rebecca O’Rourke.

The Victorian Periodicals Hypertext (Oxford: CTI Centre for Texts, 1994), pp. 94. With Margaret Beetham et al.

The Bibliography of Nineteenth Century British Cookery Books and Related Domestic Manuals Published in Britain, 1800-1914,Vol. I (London: Prospect Books, 1987), pp. 438. With Dena Attar.

The Bibliography of Nineteenth Century Cookery Books and Related Domestic Manuals Published in Britain,1800-1914, Vol. II (London: Prospect Books, 1989), pp. 738. With Elizabeth Driver.

Edited Books

Sentient Performativities of Embodiment: Thinking Alongside the Human ed. Lynette Hunter, Elizabeth Krimmer, Peter Lichtenfels. (Lexington University Presses, 2016). pp. 342.

Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies, ed. L. Hunter with S. Riley. (New York: Palgrave, 2009).

Food and Community: Moving Wor(l)ds, ed. L. Hunter (Leeds: University of Leeds, 2006), pp. 204.

Shakespeare, Language and the Stage: The Fifth Wall, Issues in Practice and Criticism, eds Lynette Hunter and Peter Lichtenfels (London: Thomson Publications, 2005), pp. 192.

Reconstructing the Book: Literary Texts in Transmission, eds. L. Hunter with M. Bell et al. (Aldershot: Ashgate, 2001), pp. 231.

Reading Shakespeare’s Dramatic Language, eds. L. Hunter with S. Adamson et al. (Thomson Educational, 2000), pp. 321. Reprinted 2003.

Transversal Politics, Special issue of Soundings: A journal of politics and culture No. 12, eds C. Cockburn and L. Hunter (London: Lawrence and Wishart, 1999), pp. 192.

Women, Science and Medicine, 1500-1700, eds. L. Hunter and S. Hutton (Stroud: Sutton Publishing, 1997), pp. 241.

Difference and Community, ed. L. Hunter with P. Easingwood, K. Gross (Amsterdam: Rodopi, 1996), pp. 267.

Borderblur: Poetry and Poetics in Contemporary Canadian Literature, eds. L. Hunter with S. Chew (Edinburgh: Quadriga, 1996), pp. 186.

Women in Canadian Society: Special issue of the International Journal for Canadian Studies, ed. L. Hunter (Ottawa: Carleton University Press, 1995), pp. 295.

‘Introduction’, in eds. L. Hunter and C. A. Howells, Narrative Strategies in Canadian Literature (Milton Keynes: Open University Press, 1991), pp. 1-10.

Towards a Definition of Topos, ed. L. Hunter (London: MacMillan, 1979), pp. 231.